The Rubber Necker, Bach and Mozetich

Sometimes driving and listening to the radio I have heard things which caused my brain to explode and had to pull over for everyone’s safety. It happened one time with Bach – I heard it! What previously I took for modern was made completely teensy weensy because he was improvising with four voices and remaining melodic and that was 350 years ago.


It happened another time with the Danielson Family. I couldn’t figure out how the main singer, Daniel, did with his voice what he was doing. As it turns out that is just how he naturally sings – all elements together made for a car accident if I didn’t pull over and quietly enjoy this masterpiece.


And then last week – poof – this came on. I tracked down Julie Nesrallah and she completely understood my problem.




Sometimes I can’t get certain songs out of my head.

Sometimes because it’s amazing and deserves to be stuck on loop. Like the arpeggiated guitar part to I Want You (She’s So Heavy). An exquisite loop.

Sometimes because it’s been played everywhere I go and I can’ escape it.

Sometimes I have no explanation. Like why is Dog and Butterfly currently occupying prime real estate between my ears? I never liked Heart. This is an insult to brains everywhere.


String Survey


I started writing a string quartet in April, now there’s 4 of of them bugging me to complete them and set them free.

I haven’t a clue how long they should be and there’s a bunch of string techniques I am also clueless about. If you care to listen and give me feedback I would appreciate it.

These are in the order I wrote them.