Category Archives: Politics

Best Concert, James Tenney

Interesting to hear more land acknowledgements this year. Opening remarks at public events stimulate thought even though some people read it without much life in their voice. Guess you can’t force people to wake up but you can supply information, not be silent, let them do with it what they will. When I was young, studying with Casey Sokol, if he recommended something I wouldn’t forget. Once, he came to class stoked about a concert the night before, music by James Tenney. “I love the way that guy hears music”, said Casey. Note to self – James Tenney.
I only got around to exploring him this year when the Music Gallery presented a retrospective of his work, it was my fave concert with one caveat, they removed Ain’t I A Woman, (based on Sojourner Truth’s 1851 speech). I looked it up and read Tenney’s notes from 1992, “Black women have always been doubly disenfranchised in our society, and Sojourner Truth (1797-1883) was one of the earliest and most eloquent voices speaking out against both racist and sexist forms of oppression.” The composition is based on string instruments imitating the human voice, specifically her speech….”In this piece I have tried to simulate certain acoustical properties of the words in Sojourner Truth’s speech, as read and recorded for me by Michele George….the fundamental (or first harmonic partial) of the voiced sounds is taken by the first cello, while the first formant region in the spectrum is represented by the violas, and the second and third formants by the celesta and violins, respectively….These various acoustic components of the speech sounds are introduced gradually – incrementally – in an effort to facilitate both an “analytical” and “synthetic” hearing of the material-and perhaps a more profound meditation on the social implications of the text.”
I get a little thrilled when musicians travel down political roads, because most hide under rocks and I believe art can affect change so I was excited. “A more profound meditation on the social implications of the text.”
Incredible, adventurous, unusual, revolutionary music. Just what the Music Gallery is about ….right? I think the public explanation was that they removed it because there was concern about stories by Black people being told by White people who have not had to struggle with same issues like accessibility, racism, etc. But isn’t that partly why he wrote the piece? Why then didn’t they remove his anti war piece Viet Flakes despite the fact that he wasn’t Vietnamese or a soldier. They didn’t remove the anti nuclear piece Pika-Don despite the fact that he wasn’t identified with the people from whose accounts he quoted. He wasn’t a scientist, priest, general or a Japanese women or a Japanese child or someone who actually experienced a nuclear bomb. Nope, he was just a guy who wanted people to think about real shit.
The evening started with a land acknowledgment that makes people consider colonial history, consider the bigger picture re: what happened and where we are. Didn’t understand then why not apply same sensitivity before performing Tenney’s piece if understanding the background was the point. I do love the Music Gallery and I think the people currently at the helm have been making it compelling which is awesome but something about deleting a piece from a retrospective didn’t sit right. Left thinking about Kurt Vonnegut and his story about the future where smart people wear ear pieces and loud train sounds go off every 20 seconds to interrupt their line of thought and make the world a more level playing field intellectually.

robert mueller is coming to town

Jimmy Fallon imitating Bruce Springsteen singing Santa Claus is coming to town substituting new lyrics Robert Mueller’s coming to town – which isn’t a bad joke. The bad joke is jimmy Fallon positioning himself as an anti-Trump guy when he helped him out during the election like its all cool to joke around with the fascist guy who might raise the bar for promoting classism , racism and sexism.

But weirder than that is watching his mime technique. The lack of musicality. He doesn’t strum in time for the most part. I wonder why that is because even if you are just imitating you would think imitating the rhythm would be natural. Possibly that is another joke but it looked more like he is disconnected to understanding music.

everybody knows

leonard cohen at the junos in vancouver 25 years ago. just a handshake by the back door as he was leaving. wished a handshake could be a long conversation but so it goes. certain songs other people wrote, wish i wrote. every thing is broken by bob dylan or everybody knows by leonard cohen. at the show yesterday, one performer said “this is my last song …or is it ok if I do more? who is the time keeper?”
annoying when people talk like someone else is responsible for their set length, like it is up to the audience to stop them. seems manipuative and hambone. as fair as a police union. have to persuade my big mouth to stay zipped up, later maybe in song, release opinions even if it doesn’t make me friends. Read about assassination of journalist Daphne Caruana Galizia, like reading about assassination of Anna Politkovskaya like reading about murder of artist Pippa Bacca. Leonard Cohen hit many nails on the head, maybe best was when he wrote I’ve seen the future and it’s murder. I feel kinship to those murdered people whose crime in dark rooms was turning on the light switch. i keep reassuring my daughter that there are no monsters but i’m lying.