The dance milieu is a highly complex and unstable world. Within it, each artist must establish and constantly expand and deepen their expertise in a multitude of roles. In class, in rehearsal, in performance; under the gaze of teachers, directors, critics and the public; in meetings with administrators, managers, board members, presenters and grant officers dancers do battle with their vulnerabilities and fears in order to pursue their physical and creative practice, and to accomplish and share their art. At almost any point in the arc of a career, any one of us of could flounder, become overwhelmed, lose our bearings or our confidence, or realize we lack the tools for growth. If we are persistent enough, or desperate enough, we will turn to someone for a crucial exchange that lasts a few hours, a few weeks or months, or is sustained over many years. I am forever grateful to Patricia Beatty, Lar Lubovitch, Doug Varone, James Kudelka, Irene Dowd, and Christine Wright for their extraordinary mentorship, and for the immeasurable impact each of them has had on my work. Their generosity and honesty set the standard for my own interactions with those who have likewise sought me out. I am deeply moved by the courage of each artist who has entrusted me with entry into the highly personal sphere of their creative life. I thank each of them for the significance of our exchange. I know that by addressing our deepest concerns together we have strengthened our community and contributed to the vitality of our art form. I am honoured to accept the George Luscombe Award for mentorship in recognition of the value of our work together. Kudos to TAPA for establishing and sustaining this important award.