{"id":3431,"date":"2014-08-13T22:17:14","date_gmt":"2014-08-13T22:17:14","guid":{"rendered":"http:\/\/www.bobwiseman.ca\/?p=3431"},"modified":"2014-08-13T22:17:14","modified_gmt":"2014-08-13T22:17:14","slug":"guest-post-on-kapootie-preamps","status":"publish","type":"post","link":"https:\/\/www.bobwiseman.ca\/?p=3431","title":{"rendered":"Guest Post On Kapootie Preamps"},"content":{"rendered":"<p><a href=\"http:\/\/www.bobwiseman.ca\/wp-content\/uploads\/2014\/08\/Tom28035217414_6330_n.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.bobwiseman.ca\/wp-content\/uploads\/2014\/08\/Tom28035217414_6330_n.jpg\" alt=\"Tom28035217414_6330_n\" width=\"402\" height=\"604\" class=\"alignnone size-full wp-image-3432\" srcset=\"https:\/\/www.bobwiseman.ca\/wp-content\/uploads\/2014\/08\/Tom28035217414_6330_n.jpg 402w, https:\/\/www.bobwiseman.ca\/wp-content\/uploads\/2014\/08\/Tom28035217414_6330_n-199x300.jpg 199w\" sizes=\"auto, (max-width: 402px) 100vw, 402px\" \/><\/a><\/p>\n<p>by TOM ST. LOUIS<br \/>\nre tweaking and all that&#8230;.It&#8217;s cool that there<br \/>\nare ways to fix things&#8230;.but I never wanted to<br \/>\nlose connection to that pre electricity world.<br \/>\nDid Sonnyboy Williamson use melodyne?<\/p>\n<p>my whole subconscious assumption is that<br \/>\nI want to be able to do a perfect concert if<br \/>\nthe power grid goes down. <\/p>\n<p>I am not sure I ever heard bad drumming tweaked<br \/>\nto where it&#8217;s now good drumming&#8230;but that whole<br \/>\nvibe time groove thing is endlessly mysterious<br \/>\nto me.<\/p>\n<p>a metronome has no soul&#8230;it&#8217;s too good. so it sucks.<br \/>\nbut this drummer over here&#8230;his meter is awesome,<br \/>\nbut um, no, not like a metronome.<\/p>\n<p>huh? <\/p>\n<p>Steve Gad? Well&#8230;his high hat is a bit ahead<br \/>\nand his kick is a bit behind and that&#8217;s why&#8230;<br \/>\nreally?<\/p>\n<p>spent a couple of days in Calgary recently<br \/>\nand the engineer would not stop effusing over gary<br \/>\ncraig&#8217;s ridiculous chops&#8230;.and let&#8217;s face it. they<br \/>\nare ridiculous.<\/p>\n<p>producing is fun&#8230;.but I need a good knob twiddler or<br \/>\nI&#8217;m lost.<\/p>\n<p>regarding bullshitting people about technical<br \/>\nchops&#8230;.<\/p>\n<p>behold the engineer..who has to show off his ear<br \/>\nto intimidate the musicians into obsessively tuning<br \/>\ntheir guitars.<\/p>\n<p>behold the producer who insists the only way to do<br \/>\nsomething is with this super dooger&#8230;b16 H XL kapootie<br \/>\npre amp..or whatever&#8230;nothing but my way is anything!<\/p>\n<p>When I was just under 6, my mother sent me to get<br \/>\na hair cut down at the corner. <\/p>\n<p>The barber cut my hair in about two minutes&#8230;and then<br \/>\nindulged in this absurd ritual of alleged mini snips all<br \/>\nover the place. This performance lasted at least an<br \/>\nadditional five minutes.<\/p>\n<p>I got it in one smart little rat that I was..preemptive<br \/>\npositioning. don&#8217;t be thinking your mom can do<br \/>\nthis. <\/p>\n<p>first time I worked with a &#8220;big producer&#8221;, and I guess<br \/>\nonly time was when the angels demo, done at manta<br \/>\nin an afternoon got EMIs attention. wait. are you a<br \/>\nbig producer? okay, so I worked with a big producer<br \/>\nonly this year for five enjoyable minutes.<\/p>\n<p>naturally they had to do it over&#8230;so Richard Gottehrer<br \/>\nwas called in and he had produced Joan Armatrading<br \/>\ndon&#8217;t you now. You know Joan, right, the Winnipeg<br \/>\nshove the mic up the cooze lady?<\/p>\n<p>So, he came to my house to watch a rehearsal.<br \/>\nThen we recorded. I was watching for something<br \/>\nanything to indicate some higher perception\/acuity<br \/>\nrelating to music. I did not see it. One time he jumped<br \/>\nup to come down on a note we were all going to<br \/>\ncome down on. so what was that&#8230;flamboyant<br \/>\nconducting?<\/p>\n<p>Paul Gellman&#8230;seemed impressed. He played piano<br \/>\non a song&#8230;and said something about working with<br \/>\na &#8220;real&#8221; producer. What was real? What was I missing?<br \/>\nArm waving?<\/p>\n<p>Mr. Gottehrer said stop go let&#8217;s do it again&#8230;all the things<br \/>\nI had been saying all along!<\/p>\n<p>And when the dust settled&#8230;.$15k had been spent<br \/>\non a recording not nearly as good as the dang<br \/>\ndemo which created all the excitement in the first<br \/>\nplace. <\/p>\n<p>Doing Jim&#8217;s stuff at Noble Street&#8230;there were a<br \/>\ncouple of times when I should have done and said<br \/>\na little more. But on at least two occasions, I had to<br \/>\nstop the song from rolling away in the wrong direction,<br \/>\nand I pretty much think that is what happens to most<br \/>\nsongwriters in the studio their first go. It gets away<br \/>\nfrom them because there is nobody to say&#8230;woah,<br \/>\nhold on&#8230;.<\/p>\n<p>good smart musicians who understand vibe and<br \/>\nlyric and whatnot get the wrong idea and have to<br \/>\nbe stopped and reflighted&#8230;that is a part of<br \/>\nproducing.<\/p>\n<p>what I recently discovered is that what I particularly<br \/>\nenjoy and am good at is&#8230;sculpting parts&#8230;.<br \/>\nso now somebody has to ask me again&#8230;I<br \/>\nthink I might bet this producing thing.<\/p>\n<p>first (client A)&#8230;great session with George Kohler<br \/>\nand a drummer I would not have chosen&#8230;..<br \/>\nand then meltdown\/shrieking, okay goodbye.<\/p>\n<p>then my pal (client B) &#8230;.and him basically making his record<br \/>\ninto a clusterfuck theme park and wanting to believe<br \/>\nthat there&#8217;s no difference between following a plan<br \/>\nand just getting your rocks off&#8230;<\/p>\n<p>if anyone ever asks me again, I&#8217;m going to have<br \/>\nto get a formal signed agreement&#8230;.<\/p>\n<p>en tous cas&#8230;the Sam Christmas song keeps<br \/>\nrepeating on me&#8230;tell Magali to make it stop&#8230;<br \/>\nthose chimey notes&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by TOM ST. LOUIS re tweaking and all that&#8230;.It&#8217;s cool that there are ways to fix things&#8230;.but I never wanted to lose connection to that pre electricity world. Did Sonnyboy <a href=\"https:\/\/www.bobwiseman.ca\/?p=3431\" class=\"more-link\">[&hellip;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"Layout":"","footnotes":""},"categories":[1,4],"tags":[737,738,736],"class_list":["entry","author-rockbob","post-3431","post","type-post","status-publish","format-standard","category-uncategorized","category-production","tag-tom-st-loui-and-the-angels-of-montenegro","tag-tom-st-louis-and-bob-wiseman","tag-tom-st-louis-on-producing"],"_links":{"self":[{"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=\/wp\/v2\/posts\/3431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3431"}],"version-history":[{"count":0,"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=\/wp\/v2\/posts\/3431\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bobwiseman.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}