Tag: meg tennant

  • Release Party

    sam-tranzac

    It should be swell to release Sam’s last recordings tonight with all sorts of people from the past and present but like finishing this record what pisses me off is the fact that he isn’t here to enjoy it. Now Magazine interviewed me and asked what sort of legacy I was hoping for him. I paused a long time, I’m more interested in him being alive than whatever legacy there might be.

    I didn’t know what to say to the guy even though I know he meant well. A lot of people were moved by their personal experiences with Sam but the talk about a hope for his future was too weird because it’s about what we do when we’re alive that matters.

    I’m glad I got to say goodbye by working with him all those recent Sunday mornings and hearing him gab and gossip and complain and cajole. Eventually he explained the health problems but he always framed it in a positive way. He had a young Doctor and he thought very highly of him.

    After he died I remembered a telephone call one afternoon in 1984.
    “Bob, you busy Thursday?”
    “No.”
    “I’m getting married on Thursday and I was wondering if you would have time to come, this would be at City Hall Bob around 11:30.”
    “You’re getting married? Do I know her?”
    “Uh huh at 11:30 and we can go out to a little place afterward. No you don’t know her, she’s someone from work.”
    “Sure ok.”

    I looked her up after and found her online and wrote to her.
    “Wasn’t I at your wedding 30 years ago?
    “You were the best man.”
    “Really?”
    “I have pictures!”

    I invited her to the release as well but she lives away and it isn’t going to work out. There are other people who live away that I contacted 5 sent me videos and we’ll screen them. Eileen O’Toole, Maria Grey, Diane Barbarash, Deb Montgomery & Thomas Sarantos. It should be a fun night.

    And these people are performing

    Brian Jantzi
    Honey Novick
    Kwesi Immanuel
    Julia Rohan
    Derek Currie
    Robert Priest
    Sarah Greene
    Howard Gladstone
    Brad McInnis
    Johann Löwenberg
    Tom St, Louis & Theresa Gregory
    Lynn Harrison
    Steve-Paul Simms
    Kyp Harness
    Don Kerr
    Tony & Veronica
    Glen Gary
    Marianne Girard
    Ben Bootsma

    sam-pick-up

  • Workin’ In The Factory

    20140219_154426

    This may look like a bunch of hair playing guitar but it is in fact Mr. Sexsmith and he came to my windowless messy studio recently (as did Meg Tenant, Ronley Teper, Drew Smith and Brodie West) to play a song by Kyp Harness for a movie about Acorn Interational entitled Citizen Wealth.

    The director asked me for a “labour” song. Glad they said it could be a cover because Kyp Harness has better labour songs. I covered his cinematic  Workin’ In The Factory. Truth is Kyp has the whole labour song market sewn up. How else does he afford that shiny red Porsche?

    My thoughts when doing a cover song are to make it very different from the original. There are still some whacky repairs I must do and some questions about how and what to reveal when and where in order to sustain 5 verses. You have to remind yourself when doing film related music that after all is said and done, they might not even use too much of it. They might just use 10 seconds of it.

    This is where it’s at so far.

    20140301_164409

    WORKIN’ IN THE FACTORY

    I wake up every morning, six o’clock sharp
    I have a cup of coffee and I get into my car
    I drive downtown and I pull in through the gate
    The foreman at the door says I’m five minutes late
    He drives me to my knees and he tells me it’s a sin
    Then he makes me sign a form that says I won’t do it again

    I’m workin’ in the factory, workin’ in the factory
    Someday all of this will be just a bad memory
    But right now I’m just doin’ time
    Workin’ in the factory

    My job ain’t bad and I got a good boss
    For every week I work he gives me two days off
    Dental plan, vacation, and a twenty year pin
    And when I die he sends a letter to my next of kin
    Things could be worse but I really don’t know how
    I’d like to tell you all about it but I can’t right now because I’m

    I’m workin’ in the factory, workin’ in the factory
    Someday all of this will be just a bad memory
    But right now I’m just doin’ time
    Workin’ in the factory

    Here comes the boss, diamond rings on every hand
    And a little speck of dirt upon his white cotton pants
    He says “Come on, get to it, boys, I wanna see you sweat!”
    And I say “Kiss my ass”, but underneath my breath
    ‘Cause he’s the wizard of finance and I’m a workin’ dog
    He’s the big wheel and I’m just a cog

    I’m workin’ in the factory, workin’ in the factory
    Someday all of this will be just a bad memory
    But right now I’m just doin’ time
    Workin’ in the factory

    The guy who works beside me, they call him Friendly Steve
    He’s got big long arms that hang down to his knees
    He never says yes and he never says no
    He just hangs around waitin’ to be told where to go
    You just have to take one look at him to tell there’s nothing there
    But three more years of this and I won’t even care

    I’ll be workin’ in the factory, workin’ in the factory
    Someday all of this will be just a bad memory
    But right now I’m just doin’ time
    Workin’ in the factory

    I’ve heard about the palm trees that grow down in the south
    I’ve heard about the beauty that the poets write about
    I’ve heard about the fantasies that many men have wrote
    Where everybody shares and no-one has to bear the load
    I’ve heard your tales of freedom and the brotherhood of men
    But don’t you know that none of it makes any difference?

    When you’re workin’ in the factory, when you’re workin’ in the factory
    Someday all of this will be just a bad memory
    But right now I’m just doin’ time workin’ in the factory

  • The Quick Judge

    I recorded more brilliant vocals by Meg Tennant on the final  Sam Larkin record. I find when a great artist like her, tells me (after almost every take), that she didn’t do it well, that I have to smile and be agreeable because in fact she already did what I wanted plus anything really incorrect I can fix after with my super duper unnatural and unbelievable pitch correcting plug ins. By the way if anyone from Antarres, Melodyne or UAD is reading this please work on a new one allowing me to change or fix the Prime minister of Canada or my bank account (I know you can do it).

    I don’t mean to say she is wrong when she isn’t pleased with what she did. One should hit the mark they set but it’s also worth remembering your first response might not be the whole accurate picture.

    Years ago I used to play piano improvisations in front of open stage audiences who didn’t study that type of music. Sometimes I felt as though I hit the mark and people seemed to like it. Sometimes I didn’t like what I did but people still seemed to like it. Sometimes they even complimented me afterward. In those instances I responded by telling them they were wrong, that it stunk. Probably I made them feel stupid or just think I was an asshole. That was pretty nice of me.

    And then one time I heard a recording of a piano piece which I thought had been horrible but listening back I thought it wasn’t bad at all. I realized then that one shouldn’t quickly judge a performance.