ugh

Academia friends said these types questions the PhD committee probably.

Q: Isn’t improvisation as ontology just a metaphor?

Q: If everything is improvisation, doesn’t the term lose meaning?

Q: Your theoretical framework feels scattered

Q: Why not engage more directly with philosophy?

Q: What exactly is your method?

Q: Isn’t your archive just intuitive or arbitrary?

Q: Why include the Jordan Peterson example?

Q: Is Alphonse just a vehicle for your ideas?

Q: How do you avoid incoherence with polyphony?

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